This is such awesome news that it’s yet another small but definitive sign that the sleeping giant is starting to wake up…

In the case of an asshole like Dick Cheney, I can believe it…
From a young age, William Blake claimed to have seen visions. The first may have occurred as early as the age of four when, according to one anecdote, the young artist “saw God” when God “put his head to the window”, causing Blake to break into screaming. At the age of eight or ten in Peckham Rye, London, Blake claimed to have seen “a tree filled with angels, bright angelic wings bespangling every bough like stars.” According to Blake’s Victorian biographer Gilchrist, he returned home and reported the vision and only escaped being thrashed by his father for telling a lie through the intervention of his mother. Though all evidence suggests that his parents were largely supportive, his mother seems to have been especially so, and several of Blake’s early drawings and poems decorated the walls of her chamber. On another occasion, Blake watched haymakers at work, and thought he saw angelic figures walking among them.
Blake claimed to experience visions throughout his life. They were often associated with beautiful religious themes and imagery, and may have inspired him further with spiritual works and pursuits. Certainly, religious concepts and imagery figure centrally in Blake’s works. God and Christianity constituted the intellectual centre of his writings, from which he drew inspiration. Blake believed he was personally instructed and encouraged by Archangels to create his artistic works, which he claimed were actively read and enjoyed by the same Archangels
Anyone with even a basic understanding of symbolism can take one look at his work and see that Blake was, in all likelihood, inspired from something beyond this earth…
This is the painting which, I think, gives Icke’s ideas some further credence…
It’s Blake’s “Ghost of a Flea”.
Again from Wikipedia:
in 1790, “Blake, for the only time in his life, saw a ghost… Standing one evening at his garden-door in Lambeth, and chancing to look up, he saw a horrible grim figure, ‘scaly, speckled, very awful,’ stalking downstairs towards him. More frightened than ever before or after, he took to his heels, and ran out of the house.”…Blake often said that he was joined by invisible sitters as he drew them, including, he claimed, a number of angels, Voltaire, Moses and the Flea, who told him that “fleas were inhabited by the souls of such men as were by nature blood thirsty to excess.”…Fleas are often associated with uncleanliness and degradation; in this work, the artist sought to magnify a flea into “a monstrous creature whose bloodthirsty instinct was imprinted on every detail of its appearance, with ‘burning eyes which long for moisture’, and a ‘face worthy of a murderer’.”…The muscular and nude Flea is depicted using its jutting tongue to gorge on a bowl of blood. Part human, part vampire and part reptile, the beast strides from right to left between heavy and richly patterned curtains. In his left hand he holds an acorn and in his right a thorn, both items drawn from the tradition of fairy iconography.His massive neck is similar to that of a bull, and holds a disproportionately small head, marked by glaring eyes and open jaws, and a venomous slithering tongue.
I’ll leave it to you guys to do the math…






















































































































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